{"id":2625,"date":"2025-12-19T12:10:42","date_gmt":"2025-12-19T11:10:42","guid":{"rendered":"https:\/\/www.lacontemporaine.fr\/?post_type=agenda&#038;p=2625"},"modified":"2025-12-19T12:11:53","modified_gmt":"2025-12-19T11:11:53","slug":"nous-filmons-le-peuple-dania-szczepanska","status":"publish","type":"agenda","link":"https:\/\/www.lacontemporaine.fr\/fr\/agenda\/nous-filmons-le-peuple-dania-szczepanska\/","title":{"rendered":"\u00ab\u00a0Nous filmons le peuple\u00a0!\u00a0\u00bb d\u2019Ania Szczepanska"},"content":{"rendered":"\n<p>En partenariat avec la Contemporaine, la MSH Mondes propose la projection du film \u00ab\u00a0Nous filmons le peuple !\u00a0\u00bb d\u2019Ania Szczepanska, suivie d&rsquo;un d\u00e9bat.<\/p>\n\n\n\n<p>De 1948 \u00e0 1989, la plupart des cin\u00e9astes polonais ont d\u00fb exercer leur m\u00e9tier dans un syst\u00e8me politique qui maniait efficacement le contr\u00f4le et la sanctification du septi\u00e8me art. Or c\u2019est pourtant bien \u00e0 cette \u00e9poque-l\u00e0 que le cin\u00e9ma polonais a connu son \u00e2ge d\u2019or.<br>Comment des cin\u00e9astes form\u00e9s et financ\u00e9s par l\u2019\u00c9tat, ont-ils r\u00e9ussi \u00e0 mener une critique ouverte du syst\u00e8me communiste jusqu\u2019\u00e0 filmer la chute d\u2019un r\u00e9gime qu\u2019ils \u00e9taient cens\u00e9s servir, tout en produisant certains des grands films de l\u2019histoire du cin\u00e9ma ?<\/p>\n","protected":false},"featured_media":2626,"template":"","meta":{"_acf_changed":true},"event_cat":[179],"event_location":[28],"class_list":["post-2625","agenda","type-agenda","status-publish","has-post-thumbnail","hentry","event_cat-projection","event_location-la-contemporaine-nanterre"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lacontemporaine.fr\/fr\/wp-json\/wp\/v2\/agenda\/2625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lacontemporaine.fr\/fr\/wp-json\/wp\/v2\/agenda"}],"about":[{"href":"https:\/\/www.lacontemporaine.fr\/fr\/wp-json\/wp\/v2\/types\/agenda"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/fr\/wp-json\/wp\/v2\/media\/2626"}],"wp:attachment":[{"href":"https:\/\/www.lacontemporaine.fr\/fr\/wp-json\/wp\/v2\/media?parent=2625"}],"wp:term":[{"taxonomy":"event_cat","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/fr\/wp-json\/wp\/v2\/event_cat?post=2625"},{"taxonomy":"event_location","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/fr\/wp-json\/wp\/v2\/event_location?post=2625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}