{"id":3373,"date":"2026-06-08T09:52:38","date_gmt":"2026-06-08T07:52:38","guid":{"rendered":"https:\/\/www.lacontemporaine.fr\/?p=3373"},"modified":"2026-06-08T11:38:22","modified_gmt":"2026-06-08T09:38:22","slug":"enrichissement-du-fonds-medhi-garrigues","status":"publish","type":"post","link":"https:\/\/www.lacontemporaine.fr\/en\/enrichissement-du-fonds-medhi-garrigues\/","title":{"rendered":"Nouveau fonds Medhi Garrigues"},"content":{"rendered":"<p>Medhi Garrigues, cr\u00e9ateur de marionnettes, a r\u00e9alis\u00e9 plusieurs vid\u00e9os consacr\u00e9es aux marionnettes du B\u00e9b\u00eate Show, dont\u00a0<a href=\"https:\/\/calames.abes.fr\/pub\/lacontemporaine.aspx#details?id=Calames-2022510175167671\" target=\"_blank\" rel=\"noreferrer noopener\">le fonds<\/a>\u00a0est conserv\u00e9 \u00e0 la Contemporaine. Il a fait don \u00e0 l\u2019institution\u00a0des rushes de ces enregistrements. D\u00e9sormais int\u00e9gr\u00e9s au\u00a0<a href=\"https:\/\/calames.abes.fr\/pub\/lacontemporaine.aspx#details?id=FileId-5735\" target=\"_blank\" rel=\"noreferrer noopener\">fonds Mehdi Garrigues<\/a>, ces documents audiovisuels sont d\u00e9crits dans le catalogue Calames et consultables en salle de lecture.<\/p>\n\n\n<style>.wp-block-kadence-advancedbtn.kb-btns3373_3827c4-97{gap:var(--global-kb-gap-xs, 0.5rem );justify-content:center;align-items:center;}.kt-btns3373_3827c4-97 .kt-button{font-weight:normal;font-style:normal;}.kt-btns3373_3827c4-97 .kt-btn-wrap-0{margin-right:5px;}.wp-block-kadence-advancedbtn.kt-btns3373_3827c4-97 .kt-btn-wrap-0 .kt-button{color:#555555;border-color:#555555;}.wp-block-kadence-advancedbtn.kt-btns3373_3827c4-97 .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns3373_3827c4-97 .kt-btn-wrap-0 .kt-button:focus{color:#ffffff;border-color:#444444;}.wp-block-kadence-advancedbtn.kt-btns3373_3827c4-97 .kt-btn-wrap-0 .kt-button::before{display:none;}.wp-block-kadence-advancedbtn.kt-btns3373_3827c4-97 .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns3373_3827c4-97 .kt-btn-wrap-0 .kt-button:focus{background:#444444;}<\/style>\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns3373_3827c4-97\"><style>ul.menu .wp-block-kadence-advancedbtn .kb-btn3373_4efcfa-33.kb-button{width:initial;}<\/style><span class=\"kb-button kt-button button kb-btn3373_4efcfa-33 kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill  kt-btn-has-text-true kt-btn-has-svg-false  wp-block-kadence-singlebtn\"><span class=\"kt-btn-inner-text\">Acc\u00e9der au fonds<\/span><\/span><\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Medhi Garrigues, cr\u00e9ateur de marionnettes, a r\u00e9alis\u00e9 plusieurs vid\u00e9os consacr\u00e9es aux marionnettes du B\u00e9b\u00eate Show, dont\u00a0le fonds\u00a0est conserv\u00e9 \u00e0 la Contemporaine. Il a fait don \u00e0 l\u2019institution\u00a0des rushes de ces enregistrements. D\u00e9sormais int\u00e9gr\u00e9s au\u00a0fonds Mehdi Garrigues, ces documents audiovisuels sont d\u00e9crits dans le catalogue Calames et consultables en salle de lecture.<\/p>","protected":false},"author":6,"featured_media":3374,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[192],"tags":[],"class_list":["post-3373","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collections"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/posts\/3373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/comments?post=3373"}],"version-history":[{"count":4,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/posts\/3373\/revisions"}],"predecessor-version":[{"id":3378,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/posts\/3373\/revisions\/3378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/media\/3374"}],"wp:attachment":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/media?parent=3373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/categories?post=3373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/tags?post=3373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}