{"id":3057,"date":"2026-04-20T12:08:49","date_gmt":"2026-04-20T10:08:49","guid":{"rendered":"https:\/\/www.lacontemporaine.fr\/?p=3057"},"modified":"2026-04-20T12:09:42","modified_gmt":"2026-04-20T10:09:42","slug":"la-bd-en-ligne-de-mire-dernier-numero-du-journal-de-la-contemporaine","status":"publish","type":"post","link":"https:\/\/www.lacontemporaine.fr\/en\/la-bd-en-ligne-de-mire-dernier-numero-du-journal-de-la-contemporaine\/","title":{"rendered":"\u00ab\u00a0La BD en ligne de mire\u00a0\u00bb, dernier num\u00e9ro du Journal de la Contemporaine"},"content":{"rendered":"<p>Le num\u00e9ro 17 du <em>Journal de la Contemporaine<\/em> vient de para\u00eetre et propose : <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>un dossier sur l&rsquo;exposition \u00ab\u00a0Les guerres d&rsquo;Eisner\u00a0\u00bb ; <\/li>\n\n\n\n<li>l&rsquo;actualit\u00e9 des collections avec notamment la collecte en cours sur le mouvement des gilets en jaunes, le fonds Serge Livrozet et la section fran\u00e7aise de l&rsquo;organisation internationale des prisons ; <\/li>\n\n\n\n<li>l&rsquo;actualit\u00e9 de l&rsquo;institution avec l&rsquo;hommage \u00e0 Octavio Alberola et la mise en ligne sur HAL des num\u00e9ros de <em>Mat\u00e9riaux pour l&rsquo;histoire de notre temps<\/em>&#8230; <\/li>\n<\/ul>\n\n\n<style>.wp-block-kadence-advancedbtn.kb-btns3057_d0dcee-f8{gap:var(--global-kb-gap-xs, 0.5rem );justify-content:center;align-items:center;}.kt-btns3057_d0dcee-f8 .kt-button{font-weight:normal;font-style:normal;}.kt-btns3057_d0dcee-f8 .kt-btn-wrap-0{margin-right:5px;}.wp-block-kadence-advancedbtn.kt-btns3057_d0dcee-f8 .kt-btn-wrap-0 .kt-button{color:#555555;border-color:#555555;}.wp-block-kadence-advancedbtn.kt-btns3057_d0dcee-f8 .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns3057_d0dcee-f8 .kt-btn-wrap-0 .kt-button:focus{color:#ffffff;border-color:#444444;}.wp-block-kadence-advancedbtn.kt-btns3057_d0dcee-f8 .kt-btn-wrap-0 .kt-button::before{display:none;}.wp-block-kadence-advancedbtn.kt-btns3057_d0dcee-f8 .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns3057_d0dcee-f8 .kt-btn-wrap-0 .kt-button:focus{background:#444444;}<\/style>\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns3057_d0dcee-f8\"><style>ul.menu .wp-block-kadence-advancedbtn .kb-btn3057_b02d6b-85.kb-button{width:initial;}<\/style><a class=\"kb-button kt-button button kb-btn3057_b02d6b-85 kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill  kt-btn-has-text-true kt-btn-has-svg-false  wp-block-kadence-singlebtn\" href=\"https:\/\/www.lacontemporaine.fr\/wp-content\/uploads\/2026\/04\/CTP_202509_Journal_N17_BD.pdf\"><span class=\"kt-btn-inner-text\">Lire le dernier num\u00e9ro <\/span><\/a><\/div>\n\n\n<style>.wp-block-kadence-advancedbtn.kb-btns3057_ede4c1-7e{gap:var(--global-kb-gap-xs, 0.5rem );justify-content:center;align-items:center;}.kt-btns3057_ede4c1-7e .kt-button{font-weight:normal;font-style:normal;}.kt-btns3057_ede4c1-7e .kt-btn-wrap-0{margin-right:5px;}.wp-block-kadence-advancedbtn.kt-btns3057_ede4c1-7e .kt-btn-wrap-0 .kt-button{color:#555555;border-color:#555555;}.wp-block-kadence-advancedbtn.kt-btns3057_ede4c1-7e .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns3057_ede4c1-7e .kt-btn-wrap-0 .kt-button:focus{color:#ffffff;border-color:#444444;}.wp-block-kadence-advancedbtn.kt-btns3057_ede4c1-7e .kt-btn-wrap-0 .kt-button::before{display:none;}.wp-block-kadence-advancedbtn.kt-btns3057_ede4c1-7e .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns3057_ede4c1-7e .kt-btn-wrap-0 .kt-button:focus{background:#444444;}<\/style>\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns3057_ede4c1-7e\"><style>ul.menu .wp-block-kadence-advancedbtn .kb-btn3057_7c0472-99.kb-button{width:initial;}<\/style><a class=\"kb-button kt-button button kb-btn3057_7c0472-99 kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill  kt-btn-has-text-true kt-btn-has-svg-false  wp-block-kadence-singlebtn\" href=\"https:\/\/www.lacontemporaine.fr\/en\/journal\/\"><span class=\"kt-btn-inner-text\">S&rsquo;abonner au journal<\/span><\/a><\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Le num\u00e9ro 17 du Journal de la Contemporaine vient de para\u00eetre et propose :<\/p>","protected":false},"author":6,"featured_media":2980,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[112],"tags":[],"class_list":["post-3057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-parution"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/posts\/3057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/comments?post=3057"}],"version-history":[{"count":2,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/posts\/3057\/revisions"}],"predecessor-version":[{"id":3059,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/posts\/3057\/revisions\/3059"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/media\/2980"}],"wp:attachment":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/media?parent=3057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/categories?post=3057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/tags?post=3057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}