{"id":2773,"date":"2026-02-11T15:45:21","date_gmt":"2026-02-11T14:45:21","guid":{"rendered":"https:\/\/www.lacontemporaine.fr\/?post_type=e-ressource&#038;p=2773"},"modified":"2026-02-19T09:28:53","modified_gmt":"2026-02-19T08:28:53","slug":"socialism-on-film-the-cold-war-and-international-propaganda","status":"publish","type":"e-ressource","link":"https:\/\/www.lacontemporaine.fr\/en\/e-ressource\/socialism-on-film-the-cold-war-and-international-propaganda\/","title":{"rendered":"Socialism on Film. The Cold War and International Propaganda"},"content":{"rendered":"<p>Cette ressource donne acc\u00e8s \u00e0\u00a0la version num\u00e9ris\u00e9e de plus de 2000 films (documentaires, films d&rsquo;actualit\u00e9s mais aussi de\u00a0fiction)\u00a0d&rsquo;une collection \u00e9tablie par le communiste britannique\u00a0Stanley Forman\u00a0apr\u00e8s la Seconde Guerre mondiale et conserv\u00e9e au British Film Institute. Doubl\u00e9s en anglais, ils couvrent la p\u00e9riode de la R\u00e9volution russe \u00e0 1988\u00a0et documentent les\u00a0guerres et r\u00e9volutions mais aussi les aspects\u00a0culturels et\u00a0sociaux du monde communiste.\u00a0Y sont repr\u00e9sent\u00e9s\u00a0en particulier l&rsquo;Union sovi\u00e9tique,\u00a0l&rsquo;Europe de l&rsquo;Est, la RDA,\u00a0le\u00a0Vietnam, la\u00a0Chine, la\u00a0Cor\u00e9e,\u00a0la Grande-Bretagne, l&rsquo;Espagne et l&rsquo;Am\u00e9rique latine.<\/p>\n\n\n\n<p><\/p>","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"ressources_cat":[189],"domaines":[36],"lieu-dacces":[],"origines-du-fond":[188],"type-dacces":[],"class_list":["post-2773","e-ressource","type-e-ressource","status-publish","hentry","ressources_cat-audiovisuel","domaines-guerre-froide","origines-du-fond-british-film-institute"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/e-ressource\/2773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/e-ressource"}],"about":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/types\/e-ressource"}],"wp:attachment":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/media?parent=2773"}],"wp:term":[{"taxonomy":"ressources_cat","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/ressources_cat?post=2773"},{"taxonomy":"domaines","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/domaines?post=2773"},{"taxonomy":"lieu-dacces","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/lieu-dacces?post=2773"},{"taxonomy":"origines-du-fond","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/origines-du-fond?post=2773"},{"taxonomy":"type-dacces","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/type-dacces?post=2773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}