{"id":1370,"date":"2025-07-30T13:41:51","date_gmt":"2025-07-30T11:41:51","guid":{"rendered":"https:\/\/www.lacontemporaine.fr\/?post_type=e-ressource&#038;p=1370"},"modified":"2025-12-10T17:27:59","modified_gmt":"2025-12-10T16:27:59","slug":"safehaven-reports-on-nazi-looting-of-occupied-countries-and-assets-in-neutral-countries","status":"publish","type":"e-ressource","link":"https:\/\/www.lacontemporaine.fr\/en\/e-ressource\/safehaven-reports-on-nazi-looting-of-occupied-countries-and-assets-in-neutral-countries\/","title":{"rendered":"SafeHaven Reports on Nazi looting of Occupied Countries and Assets in Neutral Countries"},"content":{"rendered":"<p>SAFEHAVEN est le nom du programme am\u00e9ricain mis en place \u00e0 la fin de la guerre pour bloquer les transferts de fonds entre l\u2019Allemagne, la Suisse et les autres \u00c9tats neutres. Les 62 rapports proviennent de diff\u00e9rentes agences du gouvernement \u00e9tats-unien et des attach\u00e9s militaires. Ils s\u2019int\u00e9ressent en particulier aux avoirs nazis conserv\u00e9s dans les banques et \u00e0 la mani\u00e8re dont ceux-ci pourraient \u00eatre utilis\u00e9s pour reconstruire la machine de guerre nazie ou le NSDAP apr\u00e8s le conflit. Un aspect du projet SAFEHAVEN est la restitution \u00e0 leurs propri\u00e9taires des \u0153uvres d\u2019arts pill\u00e9es en Europe.<\/p>","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":true},"ressources_cat":[35],"domaines":[80],"lieu-dacces":[39],"origines-du-fond":[40],"type-dacces":[38],"class_list":["post-1370","e-ressource","type-e-ressource","status-publish","hentry","ressources_cat-base-darchives","domaines-2e-guerre-mondiale","lieu-dacces-tous-les-postes-informatiques-de-la-contemporaine","origines-du-fond-archives-nationales-des-etats-unis","type-dacces-reconnaissance-ip"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/e-ressource\/1370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/e-ressource"}],"about":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/types\/e-ressource"}],"wp:attachment":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/media?parent=1370"}],"wp:term":[{"taxonomy":"ressources_cat","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/ressources_cat?post=1370"},{"taxonomy":"domaines","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/domaines?post=1370"},{"taxonomy":"lieu-dacces","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/lieu-dacces?post=1370"},{"taxonomy":"origines-du-fond","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/origines-du-fond?post=1370"},{"taxonomy":"type-dacces","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/type-dacces?post=1370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}