{"id":2643,"date":"2025-12-19T12:45:55","date_gmt":"2025-12-19T11:45:55","guid":{"rendered":"https:\/\/www.lacontemporaine.fr\/?post_type=agenda&p=2643"},"modified":"2026-02-05T17:04:43","modified_gmt":"2026-02-05T16:04:43","slug":"projection-debat-eldridge-cleaver-black-panther-de-william-klein","status":"publish","type":"agenda","link":"https:\/\/www.lacontemporaine.fr\/en\/agenda\/projection-debat-eldridge-cleaver-black-panther-de-william-klein\/","title":{"rendered":"Paroles mont\u00e9es, paroles en exil.\u00a0Eldridge Cleaver\u00a0film\u00e9 par William Klein (1969) : le montage comme conflit politique"},"content":{"rendered":"

Mardi 10 f\u00e9vrier \u00e0 18h<\/p>\n\n\n\n

Tourn\u00e9 \u00e0 Alger en 1969,\u00a0Eldridge Cleaver<\/em>\u00a0de William Klein ne propose ni un portrait stabilis\u00e9 du Black Panther Party ni un manifeste id\u00e9ologique. Le film saisit une parole d\u00e9plac\u00e9e, fragment\u00e9e, en situation d\u2019exil, prise dans un montage qui en expose les tensions, les exc\u00e8s et les contradictions. En croisant cin\u00e9ma militant, esth\u00e9tique du montage et histoire du Black Power, cette pr\u00e9sentation interroge la parole r\u00e9volutionnaire comme mat\u00e9riau instable : un discours \u00e0 la fois vitrine politique, geste performatif et sympt\u00f4me d\u2019un d\u00e9s\u00e9quilibre strat\u00e9gique, \u00e0 distance du terrain am\u00e9ricain.<\/p>\n\n\n\n


Biographie :\u00a0<\/strong><\/p>\n\n\n\n

Thomas Bertail est historien de l\u2019art. Ses travaux de recherche universitaires ont notamment port\u00e9 sur les cultures graphiques africaines-am\u00e9ricaines, du Black Power \u00e0 Black Lives Matter, en tant que formes visuelles engag\u00e9es au c\u0153ur des luttes politiques et sociales depuis les ann\u00e9es 1960. Charg\u00e9 de coordination de la recherche du Mus\u00e9e national d\u2019art moderne \u00e0 la Biblioth\u00e8que Kandinsky (Centre Pompidou), il coordonne plusieurs projets collectifs internationaux sur les imprim\u00e9s contestataires, le design critique et les esth\u00e9tiques militantes.<\/p>\n\n\n\n

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The Black Panther<\/em>, Vol 03 no 26 ,18\u00a0octobre\u00a01969. Eldridge Cleaver dans Algers<\/p>\n<\/div>\n\n\n\n

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The Black Panther,\u00a0<\/em>Vol. 3, No. 16., 9 ao\u00fbt 1969. Avec Raymond (Masai) Hewitt, Julia Wright et\u00a0David Hilliard dans la Casbah d\u2019Alger<\/p>\n<\/div>\n<\/div>","protected":false},"featured_media":2769,"template":"","meta":{"_acf_changed":false},"event_cat":[179],"event_location":[28],"class_list":["post-2643","agenda","type-agenda","status-publish","has-post-thumbnail","hentry","event_cat-projection","event_location-la-contemporaine-nanterre"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/agenda\/2643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/agenda"}],"about":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/types\/agenda"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/media\/2769"}],"wp:attachment":[{"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/media?parent=2643"}],"wp:term":[{"taxonomy":"event_cat","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/event_cat?post=2643"},{"taxonomy":"event_location","embeddable":true,"href":"https:\/\/www.lacontemporaine.fr\/en\/wp-json\/wp\/v2\/event_location?post=2643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}